Post by Admin on Nov 30, 2020 10:35:37 GMT -5
(Her full type will need some inputn. Temporarily I made it so the public can't see the Tritypes Exemplars board of Study Hall).
For we know in part and we prophesy in part. But when that which is perfect has come, then that which is in part will be done away.
When I was a child, I spoke as a child, I understood as a child, I thought as a child; but when I became a man, I put away childish things.
For now we see in a mirror, darkly, but then face to face. Now I know in part, but then I shall know just as I also am known.For now we see through a glass darkly, but then face to face. Now I know in part, but then I shall know just as I also am known.--1 Corinthians 13
Also Oracle and Delphi. This tritype is like the point of a face off between the Dionysian and the Apollonian. They are interdependent; no city, no temple, no hill, no oracular hole. Different gnoses and valuations also seek equilbrium. The Apostle Paul was probably not 146 but triple compliant with 2w1, so several lines to 4; thus in 1 Corinthians it is agape that ftriumphs but 146, even when healthy, is in a state of dialectical tension (think Heraclitus, Dante, John Donne).
Diamanda Galas, sp/SX 6w5(5w4)-1w9(2w1)-4w5(3w4) FiSe creative subtype (?)
The great diva of the elate 80s underground, Diamanda Galas, is an extreme counterflow, heavy in the 'Hole' counter-doubt exemplar, but this tritype. She became famous consumed by righteous wrath and vituperative coutnershame over the death of her brother in the early days of AIDS. But above all she leads with coutnerdoubt.
Her punching out blow by blow speaking style is a form of 'setting limits', (talking style 6) not uncommon in social last Sixes; her suspicion far overrides her image concerns; then need to feeli of power is not one that will be articulated by a One or Four, aha ia pugilistic yet compliance seeps through and she always comes back toeconceptualization.
For we know in part and we prophesy in part. But when that which is perfect has come, then that which is in part will be done away.
When I was a child, I spoke as a child, I understood as a child, I thought as a child; but when I became a man, I put away childish things.
For now we see in a mirror, darkly, but then face to face. Now I know in part, but then I shall know just as I also am known.For now we see through a glass darkly, but then face to face. Now I know in part, but then I shall know just as I also am known.--1 Corinthians 13
Also Oracle and Delphi. This tritype is like the point of a face off between the Dionysian and the Apollonian. They are interdependent; no city, no temple, no hill, no oracular hole. Different gnoses and valuations also seek equilbrium. The Apostle Paul was probably not 146 but triple compliant with 2w1, so several lines to 4; thus in 1 Corinthians it is agape that ftriumphs but 146, even when healthy, is in a state of dialectical tension (think Heraclitus, Dante, John Donne).
Diamanda Galas, sp/SX 6w5(5w4)-1w9(2w1)-4w5(3w4) FiSe creative subtype (?)
The great diva of the elate 80s underground, Diamanda Galas, is an extreme counterflow, heavy in the 'Hole' counter-doubt exemplar, but this tritype. She became famous consumed by righteous wrath and vituperative coutnershame over the death of her brother in the early days of AIDS. But above all she leads with coutnerdoubt.
Her punching out blow by blow speaking style is a form of 'setting limits', (talking style 6) not uncommon in social last Sixes; her suspicion far overrides her image concerns; then need to feeli of power is not one that will be articulated by a One or Four, aha ia pugilistic yet compliance seeps through and she always comes back toeconceptualization.