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Post by Roshan on Jun 26, 2020 19:58:20 GMT -5
I wrote this when I was around 30, I think 1989. The East Village underground was undergoing a transformation from gritty and dangerous into something more mod or David Hockney maybe. All of New York was changing. Down here we understood gentrification but we didn't understand globalization. Stuart was an extreme introvert latter day punk who just showed up one day, chasing after his pastel colored psychedelic girlfriend who'd wafted down on her gossamer lamé parachute from London the year before. She didn't want him around so for the duration of his short stay he wound up hanging out with me. We took long walks. I was the café queen and it may be conjectured that at that time of my life I was 'shadowing'. Many things may always be conjectured; after all, we have to pass the time and render it somewhat intelligible.
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Post by Roshan on Jun 26, 2020 20:15:08 GMT -5
Stuart Listens (Icarus Rising)
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Stuart listens to the voices of his soul saying no man is an island but only I am and it is only fitting that on this glistening summer night caught somewhere between the city and the sea I am blinded by his eyes.
They remind me of all the still things this Saturday night and and of every promise I have made that has been broken by these the neon-colored people sleeping awake into their pink drinks the frozen margaritas of the city awake their eyes wide open while the rest of the city sleeps their lids pasted open their no exit eyes. And
it is these the zombies who most am I.
I press my face to the lights outside like a moth caught between the window and the screen, flapping fluttering I seek the flashing lights. But
Stuart listens to the voices of his island that come in waves in the deep of the night and and it only fitting that on this most hideous of every nights something of him rises in me like the tide.
Stuart listens but I on the other hand a driven by the city and the bedrock and its ghosts who sleep beneath but he-scorpio rising-always hears the dead speak in a constant trickle of water and it hits you below the belt and it's a hard on but it's hard on me.
I took you to the river that is closest to the sea.
This is the empty sea I said this is the only sea I know. We witnessed
garbage hookers piles of abandoned cars hospitals spewing their dead to the wind all the things of the swamp which lie just below the neon signs they slop on burritos the lavender hair spray fluorescent green eyes the apples that shine from the traffic lights red green golden delicious the lidless incandescent shimmers and all the pink drinks that stink of the living's craving to be alive, to
walk sleepwalking incessant among the living who hum like machinery zap like transformers sapping the life out of themselves as the snake swallows its tail in
droves of rock 'n roll of pick up bars guitars of food lines waiting in tompkins square park for hare krishna's pink drinks and robes, who
glisten, who shriek who seem to say well wherever we're going we're going gaily but
Stuart listens to the echo of the trickle of the deep dark things that come eroding into the night ground water dribbling slowly its way through the soul and its crevices but I on the other hand am driven by th city and its desperate quest to be among the living I try to listen but who am I kidding? I press my face to the lights outside, flapping, fluttering, mesmerized but
Stuart they tell me once he chased a butterfly Crossed the sea on a giant bird with a golden net he wove of his dreams. And that butterfly fluttered with the gayest of colors that butterfly laughed in the merriest way that butterfly sang him the songs of the neon and they told him not to go but
he wouldn't listen oh no not Stuart he was driven
because Stuart is a fool.
He leaves me every night on avenue c. I buy brightly colored fruit spit the pits and off to bed. Bolt the window close the screen the cat litter stinks but it's nothing I hear in the sanctuary of my room. I listen. I can't stop. But it's nothing I hear.
Brown like the moth I scrounge the closets. Bright like the moth I flutter by. Blind like the moth I seek the lightbulb. It sizzling burns and like the moth I die.
Icarus, Icarus
rising
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Post by Roshan on Jun 15, 2021 18:28:12 GMT -5
I'm transferring the long cumbersome OP here and distilling it there. It said:
I wrote this poem at around 30 in I think 1990 and it illustrates what I always perceived as an oscillation between extreme extroversion and extreme introversion throughout my life. In recent years putting it into Enneagram perspective I saw this as the tension between lead type and heart type, as well as the conflict inherent between type and stacking. Only since last year with the cognitive typing determined did I see it in those terms. In any case (and there is something creepy--at least at the moment--about subjecting my own work to this process), when I wrote this poem I was at the hub of a rather large performance/poetry scene within the larger downtown Manhattan scene.
The East Village was undergoing gentrification and the scene was morphing from out of a harder grittier underground, and so we would often all run into each other at a new sidewalk cafe on Avenue A. Many people would gather around me because I was a café queen, and one of our people was, I now know--for better and for worse--a young so/sx 7w6 with 9w1 and something in the 3 space, and she really dressed and acted like a rainbow. And she was from London and one day her boyfriend from there just showed up.
He was an extreme introvert, something like sx/sp 5w4-9w1-2w1, and she treated him badly because she just didn't want him around, so he and I wound up spending a lot of the time together. This was unusual because I was extraordinarily dramatic and rather overbearing so I had a kind of built-in extreme withdrawn repellent. But necessity drew us together and we hung out a lot for the duration of his short stay, nothing sexual, and I wrote the poem while he was still in New York.
There were always two of me, you see, and the 'other one' seemed more real. And that's what this poem is about. I suppose you could say in typology terms that I was 'shadowing' in ENTP and Stuart was bringing me closer to myself. I mean you could say a lot of things, couldn't you. Stuart needed me for those couple of weeks as an anchor and a buffer and even a pretext, but I needed him a lot more.
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